Last month, I saw Privacy, a play by James Graham about the consequences of living our lives mediated by the internet and mobile technology. Called a “magic show” by the New York Times review, it used Shakespeare’s The Tempest as a window into the pathos of this brave new digital world of ours.
At its core, the play is about how technology places us in exile, in which we struggle with feeling alone and cut off even though we are always connected with others, struggle with understanding our emotions even though we constantly express ourselves. One of the most interesting things to me about the play was that it included one of our era’s great exiles, Edward Snowden, who makes an appearance via a previously recorded Skype video. He and the protagonist of the play, The Writer (played wonderfully by Daniel Radcliffe) together recite a monologue from The Tempest:
Be not afeard. The isle is full of noises,
Sounds, and sweet airs that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again. And then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me, that when I waked
I cried to dream again.
In The Tempest this monologue was spoken by Caliban, the drunken, semi-human, despised but magical offspring of a witch who is explaining the mysterious and enchanting music of the island upon which all the characters in the play are trapped. The main protagonists of The Tempest are the magician Prospero, rightful Duke of Milan, and his daughter, Miranda, who were sent into exile and stranded on an island by Prospero’s jealous brother Antonio. Prospero, being a magician, has conjured a storm (the tempest) and set in motion a shipwreck and a series of events designed to gain back the throne for his daughter, the rightful heir.
Is Mr. Snowden Caliban, both despised and magical? Edward Snowden is certainly vilified by some – in exile in Russia after leaking NSA documents revealing the scope of secret surveillance carried out by the US government on its own citizens and on other governments. Others, of course, consider him to be a martyr and a hero. Mr. Snowden has said, “People say I live in Russia, but that’s actually a little bit of a misunderstanding. I live on the Internet.” To hear him recite “The isle is full of noises, sounds, and sweet airs that give delight and hurt not. Sometimes a thousand twangling instruments will hum about mine ears ….“ made me think about what it must mean for him to “live” on the internet, never escaping its ceaseless music, the chatter and flood of words, images, facts, attacks, ideas, pings, clicks, alerts, notification, requests, and likes.
It also made me think about what Mr. Snowden gave up in order to shine a light on the underbelly of all this noise. “When I waked I cried to dream again.” This is the sting of being a citizen of the internet, unable to forfeit the joys and miracles of our shared, cyberspace dream, but knowing that we are being used by others for their own purposes, our privacy no longer sacred, but instead a pawn in the game, an asset to leverage and sell. Most of us accept this. Mr. Snowden does not.
Privacy leaves us with the feeling that our digital lives are a form of exile in an enchanted, cacophonous realm, a place where the technology we are dependent upon seems both magical and menacing.